May (One Penny Closer to One Hundred), 2025
In 203 / H The Collector, group exhibition at CUE Art Foundation organized by Oorja Garg, Ridwana Rahman, with the Interdisciplinary Art and Theory Program, New York, NY, 2026 (link)
Photo by Leo Ng
May, 2025
Graphite and tape on paper
25 x 44 inches (63.5 x 111.76 cm)
In 203 / H The Collector, group exhibition at CUE Art Foundation organized by Oorja Garg, Ridwana Rahman, with the Interdisciplinary Art and Theory Program, New York, NY, 2026
Photo by Leo Ng
05/11/25 1 Mulberry St. between Spring St. and Prince St., 2025
Watercolor and graphite on paper
16 x 12 inches (40.64 x 30.48 cm)
In 203 / H The Collector, group exhibition at CUE Art Foundation organized by Oorja Garg, Ridwana Rahman, with the Interdisciplinary Art and Theory Program, New York, NY, 2026
05/22/25 17:23 1 37th St. between 5th and 6th Ave., 2025
Watercolor, color pencil and graphite on paper
16 x 12 inches (40.64 x 30.48 cm)
In 203 / H The Collector, group exhibition at CUE Art Foundation organized by Oorja Garg, Ridwana Rahman, with the Interdisciplinary Art and Theory Program, New York, NY, 2026
Timelapse, 2026
In For the Time Being, group exhibition at Royal Beef Gallery, Brooklyn, NY, 2026
Timelapse, 2026
Acrylic, watercolor, charcoal, color pencil, graphite on paper
Unframed: 22 x 30 inches (55.88 x 76.2 cm)
Framed: 28 x 36 inches (71.12 x 91.44 cm)
In For the Time Being, group exhibition at Royal Beef Gallery, Brooklyn, NY, 2026
the house is caving in, 2025
In CLOSE TO 60, group exhibition organized by UMARELL*, at 214 40th St. Brooklyn, NY and 27 Forsyth St. New York, NY, 2025
(link)
the house is caving in, 2025
In CLOSE TO 60, group exhibition organized by UMARELL*, at 214 40th St. Brooklyn, NY and 27 Forsyth St. New York, NY, 2025
(link)
the house is caving in, 2025
Watercolor, oil pastel, color pencil, and graphite on panel
4 x 6 inches (10.16 x 15.24 cm)
In CLOSE TO 60, group exhibition organized by UMARELL*, at 214 40th St. Brooklyn, NY and 27 Forsyth St. New York, NY
come closer, can you feel it?, On-Call, and Untitled (Pushing)
In The Misfire: Engorgement and Constipation curated by Rui Jiang, group exhibition at The Compound, Baltimore, MD, 2025 (link)
come closer, can you feel it?, 2025
Single-channel HD video, r/t 05 minutes 36 seconds
In The Misfire: Engorgement and Constipation curated by Rui Jiang, group exhibition at The Compound, Baltimore, MD, 2025 (link)
On-Call, 2024-
USG Sheetrock Brand Drywall, drywall screws, paint roller, wooden extension pole,
bucket, water and concrete sediment
Dimensions variable
In The Misfire: Engorgement and Constipation curated by Rui Jiang, group exhibition at The Compound, Baltimore, MD, 2025 (link)
Untitled (Pushing), 2024
Single-channel HD video, r/t 05 minutes 39 seconds
In The Misfire: Engorgement and Constipation curated by Rui Jiang, group exhibition at The Compound, Baltimore, MD, 2025 (link)
Icarus, 2025
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Icarus, 2025
Graphite, ink, watercolor, oil pastel, masking tape, painters tape, mylar on dibond,
framed in Optium Museum Acrylic
20 7/8 x 19 7/16 inches (53 x 49.4 cm)
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Recurve, Black Matter, and Winding Road, 2025
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Recurve, 2025
Graphite, plaster, crayon, painters tape, mylar on dibond,
framed in Optium Museum Acrylic
21 7/16 x 14 7/8 inches (54.5 x 37.8 cm)
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Black Matter, 2025
EVA foam mats, polypropylene rope, pulley systems, eyehooks
Dimensions variable
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Winding Road, 2025
Graphite, ink, watercolor, masking tape, painters tape, mylar on dibond,
framed in Optium Museum Acrylic
25 7/16 x 19 1/2 inches (67.2 x 49.5 cm).
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Black Matter, 2025
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Black Matter, 2025
EVA foam mats, polypropylene rope, pulley systems, eyehooks
Dimensions variable
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Endurance Exercise and ACL Flexion, 2025
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
Endurance Exercise, 2025
Graphite, ink, watercolor, masking tape, mylar on dibond,
framed in Optium Museum Acrylic
19 7/16 x 19 7/16 inches (49.4 x 49.4 cm)
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
ACL Flexion, 2025
Graphite, ink, gouache, watercolor, oil pastel , masking tape, mylar on dibond,
framed in Optium Museum Acrylic
19 1/2 x 25 7/16 inches (49.5 x 64.6 cm)
In Nothing like it never was, solo exhibition at Mimo, Brooklyn, NY, 2025 (link)
ID, 2025
In The 60s, group exhibition at Pop Gun, New York, NY, 2025 (link)
ID, 2025
Graphite on paper
16 x 20 inches (40.64 x 50.8 cm)
In The 60s, group exhibition at Pop Gun, New York, NY, 2025 (link)
Demonstration Drawings in Debut, group exhibition curated by Ian Swanson at Passepartout Frames, Long Island City, NY 2024
Taut Cables (Demonstration Drawings), 2024
Graphite, ink, paper, masking tape, painters tape on paper
5 x 7 inches (12.7 x 17.78 cm)
In Debut, group exhibition curated by Ian Swanson at Passepartout Frames, Long Island City, NY 2024
After a Line (Demonstration Drawings), 2025
Graphite, ink, paper, masking tape, painters’ tape on paper
7 x 5 inches (17.78 x 12.7 cm)
In Debut, group exhibition curated by Ian Swanson at Passepartout Frames, Long Island City, NY 2024
Jump Rope (Demonstration Drawings, 2024
Graphite, ink, paper, masking tape, painters’ tape on paper
8 x 6 inches (20.32 x 15.24 cm)
In Debut, group exhibition curated by Ian Swanson at Passepartout Frames, Long Island City, NY 2024
Bending Backwards (Demonstration Drawings, 2024
Graphite, ink, paper, masking tape, painters’ tape on paper
7 x 4 inches (17.78 x 10.16 cm)
In Debut, group exhibition curated by Ian Swanson at Passepartout Frames, Long Island City, NY 2024
Between a rock and a hard place (Demonstration Drawings), 2024
Ink, paper, painters’ tape on paper
6 x 6 inches (15.24 x 15.24 cm)
In Debut, group exhibition curated by Ian Swanson at Passepartout Frames, Long Island City, NY 2024
Demonstration Drawings and On-Call
In an image of your labor hovers over me, group exhibition curated by Qingyuan Deng, New Uncanny Gallery, New York, NY 2024
Demonstration Drawing #7, 2024
Graphite, ink, painters’ tape, masking tape, paper, multi-colored push pins
4 x 7 inches (10.16 x 17.78 cm)
In an image of your labor hovers over me, group exhibition curated by Qingyuan Deng, New Uncanny Gallery, New York, NY 2024
Demonstration Drawing #8, 2024
Graphite, ink, painters’ tape, masking tape, paper, multi-colored push pins
4 x 7 inches (10.16 x 17.78 cm)
In an image of your labor hovers over me, group exhibition curated by Qingyuan Deng, New Uncanny Gallery, New York, NY 2024
On-Call, 2024-
USG Sheetrock Brand Drywall, drywall screws, paint roller, wooden extension pole,
bucket, water and concrete sediment
Dimensions variableIn an image of your labor hovers over me, group exhibition curated by Qingyuan Deng, New Uncanny Gallery, New York, NY 2024
Demonstration Drawing #2, 2024
Graphite, ink, painters’ tape, masking tape, paper on frosted plexiglass
4 x 7 inches (10.16 x 17.78 cm)
In an image of your labor hovers over me, group exhibition curated by Qingyuan Deng, New Uncanny Gallery, New York, NY 2024
Demonstration Drawing #4, 2024
Graphite, ink, masking tape, paper on frosted plexiglass
4 x 7 inches (10.16 x 17.78 cm)
In an image of your labor hovers over me, group exhibition curated by Qingyuan Deng, New Uncanny Gallery, New York, NY 2024
Insider Trading, 2024, collaboration with Adriana Furlong
Mutlimedia installation
Dimension variable
In Porous Alternatives, group exhibition curated by Eunsoo Yi, Jenkins Johnson Gallery, Brooklyn, NY 2024
I don’t like it when people look at me / I like it when people look at me, 2024
Polypropylene rope, cleat, projector, Single-channel HD video, r/t 05 minutes 39 seconds
Dimensions variable
In Internet Personality Disorder, group exhibition curated by Karla Zurita, Pop Gun, Brooklyn, NY, 2024 (link)
stretching point and Fieldwork: Site III and IV
Installation view of Spiral Time (2024), curated by Alex Santana at Smack Mellon. Image courtesy of Smack Mellon. Photo by Etienne Frossard. (link)
stretching points, 2024
Stainless steel wire rope, stainless steel turnbuckles, stainless steel screw eyes, electrical tape
Dimension variable
Installation view of Spiral Time (2024), curated by Alex Santana at Smack Mellon. Image courtesy of Smack Mellon. Photo by Etienne Frossard. (link)
Fieldwork: Site III, 2022
Xerox photograph, painterstape, joint compound, drywall on drywall
27 x 24 inches (68.58 x 60.96 cm)
In Spiral Time, group exhibition curated by Alex Santana at Smack Mellon, Brooklyn, NY 2024
Image courtesy of Smack Mellon. Photo by Etienne Frossard. (link)
Fieldwork: Site IV, 2022
Xerox photograph, painterstape, joint compound, drywall on drywall
27 x 24 inches (68.58 x 60.96 cm)
In Spiral Time, group exhibition curated by Alex Santana at Smack Mellon, Brooklyn, NY 2024
Image courtesy of Smack Mellon. Photo by Etienne Frossard. (link)
displacement of theoretical planes and structures, 2023
Drywall, steel wire rope cables, steel turnbuckles, PVC tape, masking tape, graphite, ink
Dimensions variable
In Process Reimagined: Building it up to Tear it Down, group exhibition curated by Rachel Sydlowski, Longwood Art Gallery at Hostos Community College, Bronx, NY 2023
Enjoy the Present for as They Come, They Must Go, 2021
In A Change of Struggle, group exhibition curated by April Zhu, part of DOG PARK, a Field Projects and Petty Cash collaboration, organized by Jacob Rhodes, Brooklyn, NY, 2021 (link)
Enjoy the Present for as They Come, They Must Go, 2021
Acrylic on canvas
30 x 30 inches (76.2 x 76.2 cm)
In A Change of Struggle, group exhibition curated by April Zhu, part of DOG PARK, a Field Projects and Petty Cash collaboration, organized by Jacob Rhodes, Brooklyn, NY, 2021 (link)